If you keep your expectations in check and wish to be entertained, then you will be entertained. Sonu Sood continues evolving with each new role. Manoj Bajpai's role bearing shades of Dawood Ibrahim's brother is a prime attraction. Anil Kapoor's top cop is a delight to watch, scoring with sheer screen presence. What definitely takes away from the film, are the whole justification scenes, whether it is about religion, beliefs and also characterization.
#Watch shootout at wadala online tv
We recommend that you wait for the TV premiere. Even with a booty-licious performance by Sunny Leone, ‘Shootout At Wadala’ disappoints more than it entertains. The film is touted as a John Abraham actioner but it’s Anil Kapoor who aces up as the surprise hero. Dabanggs and other potboilers have all had item songs, which objectify women and show men as lustful predators here it’s overdone to the point where it just doesn’t bode well for anyone. Becomes bearable just because of John Abraham and Anil Kapoor. it certainly is worth giving a shot if you fancy John Abraham’s transformation into a rugged, beefy gangster and Sanjay Gupta’s brand of stylized action. To be fair though, the song and its lewdness do have a context – realistically speaking, would the real Manya and his favoured prostitutes have bothered with aesthetics? Unlikely. Go watch ‘Shootout At Wadala’ at a single screen theatre this weekend… you won’t be disappointed. Let go of all your snobbish inhibitions. SAW ultimately belongs to Gupta, who stays true to the genre and makes a welcome return to the credible lot of Bollywood directors. Tusshar Kapoor plays his stint praiseworthily. Manoj Bajpai and Sonu Sood bloom through their characters competently. Wadala works because it shamelessly epitomizes its genre and has no qualms about being what it is - an over the top action drama. He is presented as someone whose life spiralled out of control, more of a doomed figure than a wonder hero. Gratifyingly, Sanjay Gupta doesn’t glorify Manya Surve. Gupta is known for extracting inspiring performances! Leading the pack is, without doubt, John Abraham, who makes the character of Manya Surve come alive on screen. Ultimately, Shootout at Wadala seems to be the kind of film that will be enjoyed by people who like this mix of moderately gory action, toilet humor and aggressive romance.
Like Shootout at Lokhandwala, this one too has its share of creatively killing people. In fact, it looks like more time and energy has been spent on 'item numbers' who appear abrupt despite the fact that they are immediately followed by a horny Manya Surve ( John Abraham) at Vidya's ( Kangna Ranaut) door.Įven so, given my aversion to gore and action for the sake of it, if you do enjoy such fight sequences, you might find Shootout at Wadala worth a watch. The romantic track, though important to the film is given too much of a step-sisterly treatment. The rest of the dialogue is way to filmy with all the mythological, religious and philosophical references. Not that there aren't light moments in the film, but they cater to the kind of people who find a good laugh in abusive language just because it is abusive. But, within what is required of them, they do well. But, the problem with a film that is so intense in terms of how quickly all the characters get angry, doesn't require too much variety from the actors. The actors do infuse life into the story that runs on for too long. Not that it is something very new, in any case. But the message is too little compared to what you have to sit through in terms of pure noise.
There is one slight difference in that it tries to talk about the ineptness of the system that creates gangsters out of good people. Meanwhile, the music seems to have a 80s feel to them, but it hasn't appealed too many. Yet, as always, I'm hoping to be pleasantly surprised. I am expecting nothing less or nothing more than that. We saw some gruesome action in Shootout at Lokhandwala. Then, it all boils down to the atmosphere of the 80s, the dialogue and the manner in which everybody shoots everybody. And when its set in Bombay, it can only be so much different from what we have seen earlier.
The problem though is that as far as films are concerned a mafia film is a mafia film is a mafia film. The only intriguing fact remains that the film is based on true life events. The trailer itself points to typical Sanjay Gupta stylisation of fight sequences as John Abraham yells at the top of his lungs. Shootout at Wadala, set in the early 80s sets us up for a crime drama with much too much potential for action.